Seeking answers to the big questions, Florist release their fifth album ‘Jellywish’.

Newcastle sludge metal maestros are back with a 45-minute journey through spacey riffs, Sabbath invoking grooves, and a surprise appearance from a hip-hop legend.

Actor-slash-artist Joe Keery of musical identity Djo releases The Crux, an album rooted in allusions to old-school music with a heavy dose of his intelligent self-reflection and takes on modern society that leave long-lasting impressions.

One of rock’s great songwriters, Paul Weller is rightly celebrated for his punchy, poetic brand of punk. Yet look closer at his work with The Jam, venture beyond to his time with The Style Council, and dive into his decades-long solo career, and you’ll find another genre which has influenced practically everything he’s ever made: soul music. 

‘Forever Is A Feeling’: love in its most enduring form.

More, showcases Wallows’ ever-evolving sound, blending indie rock, pop, and existential reflections into a captivating collection that further solidifies their place in the alternative music scene.

Somebody’s Child embarks on a bold new chapter with their sophomore album, When Youth Fades Away, a deeply introspective and sonically adventurous exploration of the inevitable passage of time and the shifting perspectives that come with it.

A history lesson for the ages, Lonnie Holley’s new album ‘Tonky’ cements itself as one of the most important releases this year. 

Twenty years since their conception, The Horrors reprise their role as a definitive sound of the decade with their sixth, Night Life.

For Melancholy Brunettes (& Sad Women) by Japanese Breakfast: an intimate look on melancholy and the recurrent thought of leaving it all behind.