PRIESTESS - 'Holy Flesh'

Hailing from London, PRIESTESS bewitches us with her latest single ‘Holy Flesh’. A perfect piece of delicate but cinematic alt-pop, giving us a preview of her debut EP - which is due out later this year.
‘Holy Flesh’ draws us in from the outset, with haunting piano melodies and the artist’s rich alluring vocal. The atmosphere builds with woozy electronics and finally explodes with an epic instrumental to striking effect, reminiscent of something akin to Nine Inch Nails.
Kate said about the single “’Holy Flesh’ is about the sanctity within the feminine and the rage felt when violence in words and actions are inflicted against a person, when at the core they are a sacred being. It was written at a time when I felt ‘weak’ and undermined for showing emotion. For centuries, women have been made to feel like this and I wanted to write a song about that silent anger, which can often be left without anywhere to be released or placed within society. For the video concept. I wanted to create something similar to a Gothic Folk Horror short, using witchcraft and murder as the main themes.
An evocative music video lands the same day, co-directed by fellow artist and friend Ana Lemos in the vast isolated British coastal setting of Fairlight Glen.
Kae Tempest is a beacon of light in the dark, giving a performance filled with hope, joy, and defiance and leaving the entire room floating on Monday evening at the Village Underground.
Newcastle sludge metal maestros are back with a 45-minute journey through spacey riffs, Sabbath invoking grooves, and a surprise appearance from a hip-hop legend.
Actor-slash-artist Joe Keery of musical identity Djo releases The Crux, an album rooted in allusions to old-school music with a heavy dose of his intelligent self-reflection and takes on modern society that leave long-lasting impressions.
The Darkness reigned over OVO Arena Wembley on Saturday night in a show bursting with unapologetic glam rock, falsettos and Freddie Mercury homages, and plenty of fire and flames.
One of rock’s great songwriters, Paul Weller is rightly celebrated for his punchy, poetic brand of punk. Yet look closer at his work with The Jam, venture beyond to his time with The Style Council, and dive into his decades-long solo career, and you’ll find another genre which has influenced practically everything he’s ever made: soul music.
“London, come on ta fuck, let’s fucking go” the magic words from Gurriers frontman, Dan Hoff, to kick off the chaos at the band’s largest headline show to date, a sold-out Scala, on Thursday night.
“These are the joys of getting old, you go deaf. I’ve also got the joy of going blind. Fortunately I’ve still got my voice - cause if I lose that, I’ve got the full Tommy”, wisecracked Roger Daltrey during the first of two shows The Who were headlining at The Royal Albert Hall.
Tom Walker- A Sheer Delight by Candlelight at Hackney Church.
Shoegaze band HONEY I’M HOME invite listeners into their dreamy, introspective world with new single, Wishful Thinking.
‘Forever Is A Feeling’: love in its most enduring form.
Following on from the cerebral and swirling ‘Call It A Draw’, Uwade’s latest teaser from her upcoming record comes in the neatly wrapped soulful intonations of ‘Harmattan’.
Self Esteem, the acclaimed project of Rebecca Lucy Taylor, has unveiled her powerful new single, ‘If Not Now, It’s Soon’. The third track to be released from her highly anticipated third album, A Complicated Woman, its announcement comes alongside details of her biggest tour to date.