Everything Everything - 'Bad Friday'

Despite its namesake, you’ll be having a good Friday after you’ve given this track a listen.
Everything Everything’s ‘Bad Friday’ tells the relatable story of recounting a catastrophic, drunken argument. Jonathan Higgs’ vocals remain on top form with delicate falsettos drifting over layered harmonies. ‘Bad Friday’ doesn’t necessarily seem like a departure from the band’s former broodier, rockier sound: it seems like an evolvement of it into something more complex and varied, in terms of production.
The track evokes the catchiness of a pop song but the cadence of a dance track. A deep and funky bass makes way for cascading synths and light, rhythmic guitar motifs. The consistent drums maintain the upbeat tempo, concocting something a little melancholy but you’d still move to it.
Everything Everything have never been shy with pushing the boundaries of the ‘rock’ genre that they find themselves labelled as. ‘Bad Friday’ seems like a more brazen and confident development from classic tracks such as ‘Good Shot, Good Soldier’, still possessing that edge when it comes to melding alternative and electronic influences. This new single could mean even further tracks to come, which we eagerly await.
By that time, we might have gotten ‘Bad Friday’ out of our heads – as I’d pin it as one of the catchiest tracks of 2022, so far.
Words by Natasha McMeekin
Haim release sensational new single Everybody’s trying to figure me out.
This is it. The final night of the Final Nights of Six, all culminating in one glorious show at London’s Wembley Arena, as rock legends You Me At Six called it quits after twenty years.
Amsterdam-based hip-hop jazz cult royalty, Pete Philly and Perquisite are back and boogieing better than ever. The duo arrived at Brixton’s Hootananny alongside Jeangu Macrooy, who kicked things off with a soulfully rousing bang.
Frank Moody shows us all the colours at O2 Brixton.
Kae Tempest is a beacon of light in the dark, giving a performance filled with hope, joy, and defiance and leaving the entire room floating on Monday evening at the Village Underground.
Newcastle sludge metal maestros are back with a 45-minute journey through spacey riffs, Sabbath invoking grooves, and a surprise appearance from a hip-hop legend.
Actor-slash-artist Joe Keery of musical identity Djo releases The Crux, an album rooted in allusions to old-school music with a heavy dose of his intelligent self-reflection and takes on modern society that leave long-lasting impressions.
The Darkness reigned over OVO Arena Wembley on Saturday night in a show bursting with unapologetic glam rock, falsettos and Freddie Mercury homages, and plenty of fire and flames.
One of rock’s great songwriters, Paul Weller is rightly celebrated for his punchy, poetic brand of punk. Yet look closer at his work with The Jam, venture beyond to his time with The Style Council, and dive into his decades-long solo career, and you’ll find another genre which has influenced practically everything he’s ever made: soul music.
“London, come on ta fuck, let’s fucking go” the magic words from Gurriers frontman, Dan Hoff, to kick off the chaos at the band’s largest headline show to date, a sold-out Scala, on Thursday night.
“These are the joys of getting old, you go deaf. I’ve also got the joy of going blind. Fortunately I’ve still got my voice - cause if I lose that, I’ve got the full Tommy”, wisecracked Roger Daltrey during the first of two shows The Who were headlining at The Royal Albert Hall.